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"Therefore to Barum" Greetings from

cuts at Barum: Characteristic was the zebra-painted the train and shunting.

I love a good circus - and I really liked: Circus Barum!

Circus My enthusiasm goes back to childhood, when now and then small Familiencircusse lost in our village. Large circuses guest appearances in the district town 20 km away, but my father took me only for animal show and the rehearsals in the big tent - which greatly increased the expectations of an idea in a big circus. When it finally was, it was in the mid 70s, of course, Barum - Adherent experience in my memory.

Barum was one of the largest circuses, not least Gerd Siemoneit with the popularity as a star trainer and animal psychologist "related. For him it is probably due primarily to the serious classical Animal Circus, despite all the polemics dogmatic defender of animals, many people still have a positive image.

was based above all the long-term success of Siemoneit-Barum on a strong and distinctive style to make Circus.

After a contraction of the early 80s, combined with a short experimental interlude, this style was quickly found that his audience again and again on New's enthusiastic and took care that the big top was occupied, in contrast to the tents of many competitors often surprisingly good to very good.

What made now from this special and so very successful style? He was straightforward to work without depressing, in the truest sense of the word, not rushed, "atmospheric" without trying Stacked characteristics, every detail thought through, serene, and not least afloat, but.

... all in the service of a highly successful, entertaining and varied program composition without lengths and Füllnummern.

Siemoneit always had a special Knack for originality and audience appeal acrobatic feats with class. Libretti with second and third numbers was not his thing, quality over quantity was - and here was less really more! was

Larger 's troops usually only before the finals and the classically designed furious final numbers, such as a daring cavalry - just pure exhilarating Circus.

Star numbers were seen again and again and caused lasting memories and the general public, such as Don Martinez with his wonderful comic performance trampoline.

Finally Barum was for the large-animal circus - and Barum this was occupied for many of the critical opposing contemporaries not critical to the contrary. For this reason, his end is so pitiful. With the Animal Circus Barum lost in our country's most prominent representative in positive ways.

For the reputation as THE animal Circus Barum were of course the famous dressage groups of human heads - but the other groups of animals of the house, with a long time the best dress for your Barum were. Of course, the dressage tests were first class, and especially the presentation of the horses and exotic birds raised they clearly differ from the competition. This was shown in a special way the style of the house - and the sure sense of absolutely coherent musical arrangements, played by an outstanding orchestra with a full big band sound.

The importance of the musical accompaniment of the program can not be overstated. Many tunes have I remembered correctly, the Rota music as the opening, the company of a long flying trapeze group or the cheerful upbeat melody for the finale.

beginning of the new millennium, the children involved Gerd Siemoneit increasingly in the design of programs and the latter did not have the special entertaining style and lost to class.

2008, then the end of the traditional circus announced, said the program was again in parts of the old qualities.

So I once again experienced a good idea in my favorite Circus, who I knew for over 30 years and have visited since the mid 80's with great pleasure at least once a year.

... Circus, which I liked more than any other in our country, classical, big circus with its unique atmosphere, Circus pure!

http://circushistorie.blogspot.com/2008/09/circus-barum-im-wandel-der-zeit.html

Apart from these sad personal memories of the Circus Barum is interesting to this blog. He was probably the only German Circus, a regular "Side Show" led with it, in Kreiser presented to the Directorate in the 1920s, curiosities and illusions.

also under the direction of Gerd Siemoneit gave it a little "shindig" experience: Even in the 80s, presented the Moroccan tent workers, dressed as "sons of the Atlas Mountains", in the tradition of "people watching" "traditional" drum music. They also used their "Morocco Show" during the break in the elephant tent for souvenirs, arts and crafts including all sorts of objects. The sale of souvenirs presented earlier in the stalls and people often look far more as a side income for the players in particular, the widespread dar. souvenir postcards were an important source of income.

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